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📉 La “Octava Maravilla” de Trump: El Auge y Caída del Trump Taj Mahal 🎰💰 **Descripción:** Donald Trump llamó al Trump Taj Mahal “la octava maravilla del mundo”, pero su casino de mil millones de dólares en Atlantic City terminó en bancarrota en solo un año. 🏦💸 En este video, te contamos la increíble historia de su ascenso y caída, los problemas financieros, la intervención de su padre Fred Trump y el destino final del casino convertido en el Hard Rock Atlantic City. 🎸✨ 🔹 **¿Qué verás en este video?** ✅ La inauguración del Trump Taj Mahal con Michael Jackson 🎤 ✅ Cómo Trump acumuló una deuda de 820 millones de dólares 📉 ✅ El intento de rescate de Fred Trump comprando fichas por 3.5 millones 💰 ✅ La quiebra del casino y su cierre en 2016 🚪 ✅ Su transformación en Hard Rock Hotel & Casino 🎶 📌 **No olvides suscribirte** para más historias sobre negocios, finanzas y personajes influyentes. 🔔 ¡Activa la campanita para no perderte nada! 💬 **¿Qué opinas?** ¿Fue el Trump Taj Mahal un error de Trump o una víctima del declive de Atlantic City? Déjalo en los comentarios. 👇 #DonaldTrump #TrumpTajMahal #AtlanticCity #Historia #Negocios #Bancarrota #HardRock #Casinos

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Here's my first solo John Lennon cover! I love this song. It's off of his 1971 album Imagine. It features George Harrison on Resonator slide guitar (also known as a Dobro guitar) To donate to my channel click this link https://www.paypal.com/donate/?hosted_button_id=WL8PBB68GBZU6 The lineup for this song was John on his Epiphone Casino, George Harrison on Resonator guitar, Klaus Voormann on Upright Bass, two guitarists from the band Wishbone Ash on acoustic guitars, Nicky Hopkins on piano, and Alan White on drums/percussion John plugged his Casino into a Fender amp- either a Silverface twin reverb or the Beatles Blonde Bassman amp (that had been used on Rubber Soul-Let it Be). I'm using a 1963 Blonde Bassman because it crunches up nicely, as heard on the record. No pedals! Amp settings: Normal Channel Vol: 3 Treble: 6 Bass: 3 Presence: 9 In addition to John's Fender amp, you hear some of the acoustic picking on his Epiphone in the recording. This is because he sang the vocals live with the guitar, and his vocal mic picked up the guitar strings. I put an AKG condenser mic on the Casino, in addition to the Neumann on the amp. So you can hear my acoustic strings as well. I'm lucky that I got to borrow a Resonator guitar for this cover. It's a 1970's Japanese made Dorado- made by the Gretsch company. I placed a Neumann microphone in front of it, it's not electric. George recorded his Dobro live onto the backing track, which was take 6. Afterwards, he overdubbed a new solo and a few extra lines. I include both the original and overdubbed parts here For the acoustic guitars I'm playing my Martin 00-18 and Gibson J-45. It's possible a 12 string acoustic was used on the recording, but I'm not sure I added some slapback echo onto all the guitars in Pro Tools. Using the Abbey Road J37 Tape Saturation plug-in to get this effect Thanks for watching and let me know what other Lennon songs you'd like to hear! https://youtu.be/2uBXYtIOV5s https://youtu.be/B_zygqwFcls https://youtu.be/ikhERc0bOgA https://youtu.be/PsJqdAZTpU8 https://youtu.be/00GGWrPhmf0 https://youtu.be/aZr89H_VGTI https://youtu.be/v-ikErQcU6o https://youtu.be/HlzsoLl5nx4 https://youtu.be/a9ncgss81kA https://youtu.be/DTct3QKb4RQ https://youtu.be/w8m6-qmKu6g https://youtu.be/huNmND7RHw4 https://youtu.be/HbG8TgOuwZU https://youtu.be/Wll_e1dXT7w https://youtu.be/Fx--v5zKCQQ https://youtu.be/sLUhtiVqcuM https://youtu.be/RyIxURf9YFw https://youtu.be/sUB9hDwtUeY https://youtu.be/26jABxW8Sxc https://youtu.be/E10Wk5_sCrA https://youtu.be/8B-dpw-rhlQ https://youtu.be/uFuxLa6tYN4 https://youtu.be/iYle07ZFfXM https://youtu.be/FoUvO-6lutw https://youtu.be/bA6ki_H_kYY https://youtu.be/rBalf1uxLZM https://youtu.be/l0zR05a7WY8 https://youtu.be/hnvJvRE3oDM https://youtu.be/9kIeDfliJ_A https://youtu.be/My46aDAa1dU https://youtu.be/rvc_EIa6O1w https://youtu.be/Fh-_A2dujJU https://youtu.be/1Ovmns2kXsk https://youtu.be/gY6-lI-3FOo https://youtu.be/tAgyNC4hYAY https://youtu.be/3wJbqUpK3XY https://youtu.be/1Ph-MRBOKrI https://youtu.be/3KhHUeFX3ok https://youtu.be/F_bBzTZQDmE https://youtu.be/OsXcVK25lGc https://youtu.be/eQz1b74c3ro https://youtu.be/cj1asJWvQwg https://youtu.be/Z3baPhUIcAg https://youtu.be/mEBkhGbh1pE https://youtu.be/Sst_8tqxbMI https://youtu.be/TCw2yoy_BN4 https://youtu.be/pncKsSiXkQQ https://youtu.be/8vTvGHK9ODw https://youtu.be/cE08wjpwexM https://youtu.be/bEx7nWlAeS8 https://youtu.be/5-HvVcBVPhA https://youtu.be/jHgexQe9hX4 https://youtu.be/6EyYhb-RnD0 https://youtu.be/HGKF-YGsO30 https://youtu.be/HvzDgCYqVZc https://youtu.be/gr0BTMF6odU #johnlennon #guitarcover #slideguitar

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Vi har glædet os sindssygt meget til at kunne præsentere jer for en helt igennem unik musikoplevelse! 👑🎥🎵 Hos Uniradioen Inviterer kan vi nemlig offentliggøre den tredje video i rækken, hvor vi bringer dig helt tæt på nogle af morgendagens helt store musikstjerner! 🌟 Denne gang har vi inviteret den karismatiske artist JJ Paulo ind på Rosenborg Slot, hvor han fylder den historiske Riddersal med sine betagende afrobeat-rytmer, og giver os alle sammen lyst til at danse til sin sang “My Bebe” 🎶🕺🏿🏰 Museumsinspektør Jens Munk Andersen giver os samtidig et unikt indblik i Rosenborg Slots historie, 1700-tallets drukkultur og den obsession, der var med selviscenesættelse meget lig den vi ser på sociale medier i dag. Tusind tak til Turborgfondet for at hjælpe os med at realisere vores projekt. Vi er meget taknemmelige for jeres støtte 🫶 Også en kæmpe tak til JJ Paulo og hans musikere/band, og ikke mindst til Rosenborg Slot for den unikke samarbejdsmulighed 🙌 Kapitler 0:00 Intro 0:27 Samtale om Riddersalens historie 1:27 Samtale om 1600-tallets drukkultur 2:12 Samtale om 1700-tallets idealer om selviscenesættelse 3:12 JJ Paulos optræden 6:53 Samtale om dansekulturen i 1600 og 1700-tallet 7:39 Outro Instruktør Ida Karahashi Producere Ida Karahashi Maja Bojesen Mads Mørk Hansen Fotografer Ida Karahashi Nicolai Höilund Gabriel Howard Wilson Lydtekniker Mads Mørk Hansen Klippere Stine Riis Ebbesen Ida Karahashi Assistenter Hana Kristensen Emma Kragh Andersen Fondsansøger Stine Riis Ebbesen

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